The Remington Warm-Up Studies

Accura Music publishes The Remington Warm-Up Studies, the famous daily routines developed by The Chief, Professor Emory Remington of the Eastman School of Music. 

The Remington Warm-Up Studies are available for trombone, euphonium and tuba.

 Trombone editions:
     Second Edition – 70 pages – description below
     Original manuscript – 12 pages

Euphonium editions:
     Second Edition available in Bass Clef and Treble Clef versions

Tuba editions:
    Second Edition available in BB flat, CC and Treble Clef versions

AM 282     The Remington Warm-Up Studies for Trombone by Donald Hunsberger - 2nd Edition
    Revised and expanded, the second edition of The Remington Warm-Ups provides even more examples, exercises, and useful information than the first edition published in 1980, which is recognized as an essential pedagogical trombone text. This annotated collection of the famous daily routine developed by Emory Remington, The Chief, includes 64 of the studies used to train some of the world’s finest trombonists. Donald Hunsberger also includes the text of interviews he conducted with The Chief before his death in 1971. In those interviews, Remington describes his singing style, the correct way to tongue, a concept of sound, flexibility, a legato approach, security in the high register, and relaxation.
     70 pages     9" x 12"     Engraved

AM 111     The Remington Warm-Up Studies
     The original exercises for trombone, in manuscript form, of the daily routine developed by The Chief. Emory B. Remington.
     12 pages     9" x 12"     Manuscript

AM 283     Euphonium Bass Clef
     Edited by Donald Hunsberger and John D. Stevens - 2nd Edition

AM 284    Euphonium (Tuba) Treble Clef
     Edited by Donald Hunsberger and John D. Stevens - 2nd Edition

AM 285     BB flat Tuba
     Edited by Donald Hunsberger and John D. Stevens - 2nd Edition

AM 286     CC Tuba
     Edited by Donald Hunsberger and John D. Stevens - 2nd Edition

"Mr. Remington was famed throughout the world as the man who made trombones "sing." His students could be recognized by the production of a trombone tone that was smooth and rich and molded on the human voice..."
-- The New York Times

"...a master trombone teacher who over the last 50 years has trained 25 to 50 percent of the trombonists in America's symphony orchestras."
--The New York Times